Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

片中Marisa Tomei和Elodie Bouchez演一对办离婚的les couple......

片中Marisa Tomei和Elodie Bouchez演一对办离婚的les couple......

New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.

Both sides are up for laughs as Joanna and Glenn passionately debate the pressing issues of the day. (Short Form Series)

Nadine, a late 20's small town bank teller is stuck. Stuck at a job that's comfortable, but not very challenging. Stuck in a relationship of five years that's comfortable, but not very passionate. Stuck on the traditional path towards adulthood. But when Nadine is taken hostage in a dramatic bank heist gone wrong, her ordered life explodes in confusion.

Nadine, a late 20's small town bank teller is stuck. Stuck at a job that's comfortable, but not very challenging. Stuck in a relationship of five years that's comfortable, but not very passionate. Stuck on the traditional path towards adulthood. But when Nadine is taken hostage in a dramatic bank heist gone wrong, her ordered life explodes in confusion.

Exploring the revitalization of traditional birthing practices in Indigenous communities across Turtle Island, the film blends personal stories of pregnancy, birth, loss, and renewal, revealing the vast and diverse experiences of women within the life-giving cycle.

Following the fallout of film director Justin Baldoni and A-List actress Blake Lively.

The Film focuses on a group of high school seniors grappling with the reality of moving away to college. As if senior year couldn't be stressful enough, there is also a serial killer on the loose.